Romeo and Juliet Quotes - Page 2 | Just Great DataBase

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Benvolio: What sadness lengthens Romeo's hours?Romeo: Not having that, which, having, makes them short.

65

Alas, that love, so gentle in his view,Should be so tyrannous and rough in proof!*It’s sad. Love looks like a nice thing, but it’s actually very rough when you experience it.*

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Educated men are so impressive!

64

The sweetest honey is loathsome in its own deliciousness. And in the taste destroys the appetite. Therefore, love moderately.

62

One pain is lessened by another’s anguish. ... Take thou some new infection to thy eye, And the rank poison of the old will die.

60

it is my lady! *sighs* o, it is my love! o, that she knew she were! she speaks, yet she sais nothing. what of that? her eye discourses; i will answer it. i am too bold, 'tis not to me she speaks; two of the fairest stars in all the heaven, having some business, do entreat her eyes to twinkle in their spheres till they return.

59

He that is strucken blind can not forget the precious treasure of his eyesight lost.

59

Give me my sin again.

58

Love goes toward love as schoolboys from their books,But love from love, toward school with heavy looks.

56

Two households, both alike in dignity,In fair Verona, where we lay our scene,From ancient grudge break to new mutiny,Where civil blood makes civil hands unclean.From forth the fatal loins of these two foesA pair of star-cross'd lovers take their life;Whole misadventured piteous overthrowsDo with their death bury their parents' strife.The fearful passage of their death-mark'd love,And the continuance of their parents' rage,Which, but their children's end, nought could remove,Is now the two hours' traffic of our stage;The which if you with patient ears attend,What here shall miss, our toil shall strive to mend.

48

true apothecary thy drugs art quick

47

It’s easy for someone to joke about scars if they’ve never been cut.

47

Alas, that love, whose view is muffled still,Should, without eyes, see pathways to his will!Where shall we dine? O me! What fray was here?Yet tell me not, for I have heard it all.Here’s much to do with hate, but more with love.Why, then, O brawling love! O loving hate!O any thing, of nothing first create!O heavy lightness! Serious vanity!Mis-shapen chaos of well-seeming forms!Feather of lead, bright smoke, cold fire, sick health!Still-waking sleep, that is not what it is!This love feel I, that feel no love in this.Dost thou not laugh?

42

O, swear not by the moon, th’ inconstant moon,That monthly changes in her circle orb,Lest that thy love prove likewise variable.

41

Ay me! sad hours seem long.

40

And where two raging fires meet together, they do consume the thing that feeds their fury.

37

Not proud you have, but thankful that you have. Proud can I never be of what I hate, but thankful even for hate that is meant love.

35

William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright. Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18 he married Anne Hathaway, who bore him three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his sexuality, religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest examples in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime, and in 1623 two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's. Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the nineteenth century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians hero-worshipped Shakespeare with a reverence that George Bernard Shaw called "bardolatry". In the twentieth century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are consistently performed and reinterpreted in diverse cultural and political contexts throughout the world. Source: Wikipedia

34

O my love, my wife!Death, that hath suck'd the honey of thy breathHath had no power yet upon thy beauty.

33

A plague on both your houses.

32

I dreamt my lady came and found me dead. . . . . . . . . . . .And breathed such life with kisses in my lipsThat I revived and was an emperor.

31

Her blood is settled, and her joints are stiff;Life and these lips have long been separated:Death lies on her like an untimely frostUpon the sweetest flower of all the field.

31

Wilt thou be gone? it is not yet near day:It was the nightingale, and not the lark,That pierc'd the fearful hollow of thine ear;Nightly she sings on yon pomegranate tree:Believe me, love, it was the nightingale.Rom. It was the lark, the herald of the morn,No nightingale: look, love, what envious streaksDo lace the severing clouds in yonder east:Night's candles are burnt out, and jocund dayStands tiptoe on the misty mountain tops:I must be gone and live, or stay and die.Jul. Yon light is not daylight, I know it, I:It is some meteor that the sun exhales,To be to thee this night a torch-bearer,And light thee on thy way to Mantua:Therefore stay yet; thou need'st not to be gone,Rom. Let me be ta'en,, let me be put to death;I am content, so thou wilt have it so.I'll say yon grey is not the morning's eye,'T is but the pale reflex of Cynthia's brow;Nor that is not the lark, whose notes do beatThe vaulty heaven so high above our heads:I have more care to stay than will to go:Come, death, and welcome! Juliet wills it so,How is't my soul? let's talk; it is not day.Jul. It is, it is; hie hence, be gone, away!It is the lark that sings so out of tune,Straining harsh discords and unpleasing sharps.Some say the lark makes sweet division;This doth not so, for she divideth us:Some say the lark and loathed toad change eyes;O! now I would they had changed voices too,Since arm from arm that voice doth us affray,Hunting thee hence with hunt's up to the day.O! now be gone; more light and light it grows.Rom. More light and light; more dark and dark our woes.

30

It were a grief so brief to part with thee.Farewell.

30

These sudden joys have sudden endings. They burn up in victory like fire and gunpowder.

27

I will make thee think thy swan a crow.

27

Care keeps his watch in every old man’s eye,And where care lodges, sleep will never lie.

26

If love be rough with you, be rough with love;Prick love for pricking, and you beat love down.Give me a case to put my visage in:A visor for a visor! what care IWhat curious eye doth quote deformities?Here are the beetle brows shall blush for me.

25

Can I go forward when my heart is here?

25

Parting is such sweet sorrow

25

Thou shalt not stir one foot to seek a foe.

24

I have a soul of leadSo stakes me to the ground I cannot move.

24

for Mercutio's soulIs but a little way above our heads,Staying for thine to keep him company:Either thou, or I, or both, must go with him.

21

But soft, what light through yonder window breaks?It is the east, and Juliet is the sun.Arise, fair sun, and kill the envious moon,Who is already sick and pale with griefThat thou, her maid, art far more fair than she. . . .The brightness of her cheek would shame those starsAs daylight doth a lamp; her eye in heavenWould through the airy region stream so brightThat birds would sing and think it were not night.

21

Alack, there lies more peril in thine eyeThan twenty of their swords: look thou but sweet,And I am proof against their enmity.

20

Some grief shows much of love,But much of grief shows still some want of wit.

20

I, measuring his affections by my own,Which then most sought where most might not be found,Being one too many by my weary self,Pursued my humor not pursuing his,And gladly shunned who gladly fled from me.

19

Love is a smoke rais'd with the fume of sighs; being purg'd, a fire sparkling in lovers' eyes; being vex'd, a sea nourish'd with lovers' tears; what is it else? A madness most discreet, a choking gall, and a preserving sweet.

19

It is my soul that calls upon my name;How silver-sweet sound lovers' tongues by night,like softest music to attending ears!-Romeo

19

These times of woe afford no time to woo.

18

Oh, she doth teach the torches to burn bright!It seems she hangs upon the cheek of nightLike a rich jewel in an Ethiope’s ear,Beauty too rich for use, for earth too dear.So shows a snowy dove trooping with crowsAs yonder lady o'er her fellows shows.The measure done, I’ll watch her place of stand,And, touching hers, make blessèd my rude hand.Did my heart love till now? Forswear it, sight!For I ne'er saw true beauty till this night.*Oh, she shows the torches how to burn bright! She stands out against the darkness like a jeweled earring hanging against the cheek of an African. Her beauty is too good for this world; she’s too beautiful to die and be buried. She outshines the other women like a white dove in the middle of a flock of crows. When this dance is over, I’ll see where she stands, and then I’ll touch her hand with my rough and ugly one. Did my heart ever love anyone before this moment? My eyes were liars, then, because I never saw true beauty before tonight.*

18

One fairer than my love? The all-seeing sunNe'er saw her match since first the world begun.

18

They are but beggars that can count their worth.

17

Of one that lov'd not wisely but too well.

17

I take thee at thy word:Call me but love, and I'll be new baptized;Henceforth I never will be Romeo.

17

There's no trust, No faith, no honesty in men; all perjured, All forsworn, all naught, all dissemblers.

16

What light through yonder window breaks?

16