Essay about Illusions in The Great Gatsby

Through the hustle and bustle of any ordinary day, the individual takes on what is called life and Its struggles. The individual eventually tends to develop a round; a sense of what Is reality to him or herself. Reality Is quite persistent, and tends to maintain Its uphill progress In a usual way. The five senses make us feel that the world Is real. Seeing the solidity of the objects around us, feeling the Impact of the senses, it is hard to deny the validity of what we see.

Everything looks real, and therefore, we never stop to question this reality The mind is attached to the five menses and accepts everything as real without questioning. When we bump into a table or a wall, and we feel pain. It is difficult to say that we are imagining It. When we see with our eyes, hear sounds, smell, or when we feel heat or coldness, we accept these sense impressions as real. Reality, however, in the hands of a conscientious mortal, is caught In a tragic flaw.

Humans that can rationally think will periodically become irrational; he or she will find a conflict In life, something so massive that it cannot be avoided, thus creating a new reality. This false reality is illusion, and it plagues many individuals in The Great Gatsby, as well as those tot the Jazz Age who thought their economy was prospering and strong. Though Gatsby may be mysterious, Fitzgerald style may be disillusioned, the eyes of Doctor T. J. Cocklebur may be god-like and awe-inspiring, and Delays love for Gatsby may seem 'possible,' each Is a catalyst for the transpiration of Illusion in the individual's attempt in finding reality.

One of the more prominent examples of illusion seen as reality in The Great Gatsby is when Jay Gatsby himself, during a party of his own creation, is rumored to e more than what he actually is: a young, naive dreamer. This is shown by one of the attendees of Gatsby luxurious party. 'It's more that he was a German spy during the war' (Fitzgerald 44), Indiscriminately, this woman describes to her friends her true opinion on the mysterious man that hosts these popular, though meretricious, parties. This woman, as well as her friends has good reasons to believe such myths.

As seen by Nick, Gatsby creates this chimera through his alienation of his own guests. Nick begins to explain to a supposed guest at the party about how 'this man Gatsby sent over his chauffeur with an invitation' (Figural 47). Nick proves that it Gatsby couldn't even be recognized at his own party, then rumors of him being a German spy are Inconceivably expected. Gatsby unknowingly creates this mirage, and the more he destroys his relatable presence, the more the myths become reality. So we see hoe he is established as a dreamer who is charming, gracious, and a bit mysterious.

As the story unfolds, the reader learns what precipitates the mystery: that everything he has done in his adult life has been with the sole purpose of fulfilling the most unrealistic of dreams � to recapture the past. Gatsby, despite the appearance that he has achieved the American dream. Is actually a lonely man who tries to turn back the clock and win his true love Daisy, However, despite the glittering parties and material luxuries of Gatsby world, Fitzgerald style admits a serious stream of cynicism that is pervasive throughout the I OFF novel .

The scene where Daisy tells Nick near baby might be a girl is a clearly depicts Fitzgerald sardonic tone; she says 'And I hope she'll be a fool-that's the best thing a girl can be in this world, a beautiful little fool' (Fitzgerald 17). This cynicism and oral of false appearances are significant to Fitzgerald style, especially because the author discovered in his own existence that all that glitters is not necessarily gold. Although Fitzgerald does much to make her a character worthy of Gatsby unlimited devotion, in the end she reveals herself for what she really is: a merely a selfish, shallow, and in fact, hurtful, woman.

She appears pure in a world of cheats and liars. Given Gatsby obsession with Daisy and the lengths to which he has gone to win her, she seems a worthy paramour. As much as Gatsby loves Daisy, at the end he is far from a paragon of virtue. As much as Gatsby is admired for his material success only two people attend his funeral. The cynicism and nihilism in the novel are products of an era that was discovering that even the 'American dream' is an illusion.

In Fitzgerald style this is true even for heroes like Gatsby, a man who is described at the beginning of the novel as being in control of life to the point where he even owns a piece of nature when he says: 'Something in his leisurely movements and the secure position... Come out to determine what share was his of our local evens' (Fitzgerald 21). Nicks role is more realistic than Gatsby, a person who does not passionately dream of secret love affairs and one who cannot romanticizes reality.

Though Fitzgerald style is more romantic than realistic, the era in which he wrote and the wealthy circles in which he traveled, taught him that reality despite its appearances contained many 'ash-heaps' among the dreams of daisies. We see this when he becomes close to Jordan: 'Suddenly I wasn't thinking of Daisy and Gatsby any more, but of this clean, hard, limited person, who dealt in universal skepticism, ND who leaned back Jauntily Just within the circle of my arm... '(Fitzgerald 81). Like Fitzgerald style, anything that appears to good to be true typically is.

If Gatsby comes to a tragic end, like the society in which Fitzgerald lived, it was because his character, like the American dream, was a self-created myth. The inability to adapt to realities because of unattainable illusions brought down Gatsby as much as Fitzgerald thought the same concept was destroying society. Secondly, another illustrious false impression made into reality is the eyes of Doctor T. J. Cocklebur. In an ashy part of New York City, there exists the ancient billboard advertising the expertise of the aforementioned optometrist; and all that is left are two gargantuan eyes that seem to watch all.

Wilson is the deceived in this scenario. He is a poor, mid-aged man who finds out that his wife Myrtle is cheating on him; then, he also finds her�torn to bits by a car accident; thereupon, losing hope in what he believes to be right in the world; trying to find solace, he seeks the guidance of Doctor T. J. Cocklebur. 'God knows what you've been doing, everything you've been doing,' (Fitzgerald 159). Wilson says to Michaels, a friend, in reference to Myrtle, Mimi may fool me, but you can't fool God! Wilson, in his desperation, turns to the billboard that watches over his ash-ridden slum, and acts as a priest to summon its vengeance upon the world. Convinced that Cocklebur is God, Wilson will do anything to enact his bloodthirsty revenge on those who wronged him. As seen later in the novel, this fashions Gatsby death and Willow's suicide. In this sense, he lets the illusion of Cocklebur as God become reality. Finally, the grandest illusion tot all that is mistaken tort real SST a o Daisy's love tort Gatsby. For five years, ever since he left for World War l, Gatsby had his heart set on marrying Daisy.

He returned to America, built himself up as a millionaire, and believed that Daisy would be with him forever. The adverse, however, is the truth of the matter. 'I'm going to fix everything Just the way it was before,' (Fitzgerald 110) says Gatsby as he tries to convince Nick that Daisy and he will reunite once more. In this statement, it becomes evident that Gatsby is determined to create between himself and Daisy the love that they shared five years prior. He plans to go beyond he limit of reason for the sole sake of stealing this girl's heart.

Gatsby scheme, however, turns awry when this love affair is revealed to Tom. After a heated argument where Gatsby and Tom vent about how Daisy solely loves one or the other, Tom ends the debate with a firm resolve: 'l think [Gatsby] realizes that his presumptuous little flirtation is over' (Fitzgerald 135). When Tom says this, he unleashes a can of worms he knows will ruin Gatsby life. He tears down the pedestal on which Gatsby put his hope for Daisy upon, and it crashes down, leaving Gatsby with little more than nothing. The illusion of having Daisy after fives years of rugged torment became too real for Gatsby.

Inevitably, it became his downfall as well; thus mangling this mirage. Even the greatest characters in The Great Gatsby are fooled by illusion at the end. Through the proliferation of the city life, during that era of drunkenness and sexual mischief, the objects seen as illusions from the sober mind were muddled and mixed in with the rest of reality. Gatsby became a legendary German spy. Wilson became the subservient priest to the vengeance god he called Doctor T. J. Cocklebur. Daisy's love became infused with truth and Gatsby destroyed he empire he built solely for her.

Fitzgerald, in utilizing these illusions, states that man will often turn to illusions to things he knows are not true and turn them into impossible realities. Ultimately, making this illusion their own reality, these individuals suffer when it tumbles down. In this same way, illusion put on the mask of reality and tricked the characters in Fitzgerald novel that suffered from its mastery of their lives. Thus, as seen in The Great Gatsby, illusion puts on the mask of reality and, often more than not, tears apart the lives and reputations of those who believe in it.

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