Lillian Rearden is one of the minor personages in the novel, distinguished by the senselessness of many deeds. She suffers from boredom, which explains her constant desire to annoy her husband Hank. Trying to cause him suffering, the girl demonstrates true monotony in the choice of methods of exposure, so she frequently does not reach the purpose.
Lillian reflects the inner struggle of Hank, torn between decency and real love. She contrasts with Dagny, symbolizing the stereotypes of the era. It is surprising that at first, Hank does not notice the difference, taking Lillian for a different personality. He hoped to see her friend and support, not a nasty companion of life.
Lillian's temper impresses with its toughness and commitment to the conservative camp. Her asceticism made Hank fight for her to the end, although the victory did not bring the desired satisfaction. His spouse does not know what passion is. She is striking in her coldness and insensitivity, hiding behind public opinion.
If Dagny shows nobility of sex, then Lillian perceives it as a forced debt. Feeling sexual instinct, Hank experiences guilty, to which his wife taught him. Her attempts to humiliate Dagny end in failure. In fact, Lillian refers to the pirate camp, not even aware of this fact. She is prone to tantrums and rash remarks, explaining them with her own emotionality.
The heroine is like a petty thief who tries to play the role of the first violin. She embodies James Taggart, only in a skirt and heels. Lillian also has own code of honor, manipulating the persons around her. They employ an inherent language of abstraction, suggestive fog on the mind. Ultimately, she is disappointed by her inability to achieve what she wants.
Lillian Rearden in the Essays