Margo Roth Spiegelman

The most mysterious female personage in the plot. Her existence is shrouded in secrets and legends, attracting her peers. The girl is famous for frequent shoots from the house in order to satisfy their own whims. Once she wanted to try herself in a circus because the director said that she had great potential.

Of course, a lot of stories are just an excess of imagination, but fiction does not deprive her of charm. She can seduce any average student at the school, which causes envy and irritation of her rival Amy Dunn. Margo is distinguished by coldness and estrangement from society. It seems that she plays a role imposed on her from outside.

She does not believe in friendship, perceiving her comrades as a given. The girl is so absorbed in herself that she does not even ask questions to her boyfriend. She is not interested in his hobbies or purposes as he is only a temporary addition to her personality. The heroine is characterized as a typical egoist, capable of destroying positive feelings.

Learning about the betrayal, she throws out all the gifts associated with him and spoils a car. She perceives this act of vandalism as the right action, not realizing the level of her anger. It's hard to answer why Quentin likes her. Most likely, the reason is her cheerful wild temper, as opposed to his boring nature.

Her parents do not show warmth and care, which explains Margo's hostility to the rest of the world. Quentin believes that she leaves him with clues, like any goddess, although she is just a teenager trying to deal with her aspirations and emotions. The heroine is at a crossroads, choosing the right path.

Margo does not want to be found, because loneliness allows her to decide. The girl was forced to manipulate persons to seem amazing and charming woman. The heroine blames her friends for erroneous thoughts, although she herself was the cause of such views. The community loves paper personalities from which you can make any image and fiction.

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Margo Roth Spiegelman Quotes

You will go to paper towns and you will never come back.


People love the idea of a paper girl. They always have. and the worst thing is that I loved it, too. I cultivated it, you know … Because it’s kind of great, being an idea that everybody likes. But I could never be the idea to myself, not all the way.


I didn’t need you, you idiot. I picked you. And then you picked me back … And that’s like a promise. At least for tonight. In sickness and in health. In good times and in bad. For richer, for poorer. Till dawn do us part.


That’s always seemed so ridiculous to me, that people would want to be around someone because they’re pretty. It’s like picking your breakfast cereals based on colour instead of taste.


Did you know that for pretty much the entire history of the human species, the average life span was less than thirty years? You could count on ten years or so of real adulthood, right? There was no planning for retirement. No planning for a career. There was no planning … And now life has become the future. Every moment of your life is lived for the future.


Oh bullshit. You didn’t come here to make sure I was okay. You came here because you wanted to save poor little Margo from her troubled little self, so that I would be oh-so-thankful to my knight in shining armor that I would strip my clothes off and beg you to ravage my body.


I'm a big believer in random capitalization. The rules of capitalization are so unfair to words in the middle.


It’s a paper town. I mean, look at it, Q: look at all those cul-de-sacs, those streets that turn in on themselves, all the houses that were built to fall apart. All those paper people living in their paper houses, burning the future to stay warm. All the paper kids drinking beer some bum bought for them at the paper convenience store. Everyone demented with the mania of owning things. All the things paper-thin and paper-frail. And all the people, too. I’ve lived here for eighteen years and I have never once in my life come across anone who cares about anything that matters.


Margo Roth Spiegelman in the Essays