John Steinbeck Quotes - Page 22 | Just Great DataBase

They was this rich fella, an he makes like he’s poor, an they’s this rich girl, an she purtends like she’s poor too, an’ they meet in a hamburg’ stan’Why?I don’t know why-that’s how it was.Why’d they purtend like they’s poor?Well, they’re tired of bein’ rich.Horseshit!You want to hear this, or not?Well, go on then. Sure, I wanta hear it, but if I was rich, if I was rich I’d get so many pork chops-I’d cord ‘em up aroun’ me like wood, an’ I’d eat my way out. Go on.

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I learned to write nice as hell. Birds an' stuff like that, too; not just word writin'. My ol' man'll be sore when he sees me whip out a bird in one stroke. Pa's gonna be mad when he sees me do that. He don't like no fancy stuff like that. He don't even like word writin'. Kinda scare 'im, I guess. Ever' time Pa seen writin', somebody took somepin away from 'im.

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Pa said, "Won't you say a few words? Ain't none of our folks ever been buried without a few words." Connie led Rose of Sharon to the graveside, she reluctant. "You got to," Connie said. "It ain't decent not to. It'll jus' be a little. The firelight fell on the grouped people, showing their faces and their eyes, dwindling on their dark clothes.All the hats were off now. The light danced, jerking over the people. Casy said, It'll be a short one." He bowed his head, and the others followed his lead. Casy said solemnly, "This here ol' man jus' lived a life an' just died out of it. I don't know whether he was good or bad, but that don't matter much. He was alive, an' that's what matters. An' now his dead, an' that don't matter. Heard a fella tell a poem one time, an' he says 'All that lives is holy.' Got to thinkin', an' purty soon it means more than the words says. An' I woundn' pray for a ol' fella that's dead. He's awright. He got a job to do, but it's all laid out for'im an' there's on'y one way to do it. But us, we got a job to do, an' they's a thousan' ways, an' we don' know which one to take. An' if I was to pray, it'd be for the folks that don' know which way to turn. Grampa here, he got the easy straight. An' now cover 'im up and let'im get to his work." He raised his head.

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It gives a fella relief to tell, but it jus' spreads out his sin.

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You're buying years of work, toil in the sun; you're buying a sorrow that can't talk. But watch it, mister. There's a premium goes with this pile of junk and the bay horses - so beautiful - a packet of bitterness to grow in your house and to flower, some day. We could have saved you, but you cut us down, and soon you will be cut down and there'll be none of us to save you.

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And he saw the right evening star reflected in her eyes, and he saw the black cloud reflected in her eyes.

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I'm gonna try to learn. Gonna learn why folks walk in the grass, gonna hear 'em talk, gonna hear 'em sing. Gonna listen to kids eatin' mush. Gonna hear husban' an' wife a-poundin' the mattress in the night. Gonna eat with 'em an' learn. Gonna lay in the grass, open an' honest with anybody that'll have me. Gonna cuss an' swear an' hear the poetry of folks talkin'. All that's holy, all that's what I didn't understan'. All them things is good things.

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If on'y they didn' tell me I got to get off, why, I'd prob'y be in California right now a-eatin' grapes an a-pickin' an orange when I wanted. But them sons-a-bitches says I got to get off-an', Jesus Christ, a man can't, when he's tol' to!

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When I was a kid my ol' man give me a haltered heifer an' says take her down an git her serviced. An' the fella says, I done it, an' ever' time since then when I hear a business man talkin' about service, I wonder who's gettin' screwed.

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I seen fellas like you before. You ain’t askin’ nothin’; you’re jus’ singin’ a kinda song. ‘What we comin’ to?’ You don’ wanta know. Country’s movin’ aroun’, goin’ places. They’s folks dyin’ all aroun’. Maybe you’ll die pretty soon, but you won’t know nothin’. I seen too many fellas like you. You don’t want to know nothin’. Just sing yourself to sleep with a song—‘What we comin’ to?

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Casy said solemnly, "This here ol' man jus' lived a life an' just died out of it. I don't know whether he was good or bad, but that don't matter much. He was alive, an' that's what matters. An' now his dead, an' that don't matter...

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And here's a story you can hardly believe, but it's true, and it's funny and it's beautiful. There was a family of twelve and they were forced off the land. They had no car. They built a trailer out of junk and loaded it with their possessions. They pulled it to the side of 66 and waited. And pretty soon a sedan picked them up. Five of them rode in the sedan and seven on the trailer, and a dog on the trailer. They got to California in two jumps. The man who pulled them fed them. And that's true. But how can such courage be, and such faith in their own species? Very few things would teach such faith.The people in flight from the terror behind - strange things happen to them, some bitterly cruel and some so beautiful that the faith is refired forever.

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[t]here ain’t no sin and there ain’t no virtue. There’s just stuff people do. It’s all part of the same thing.

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The great owners, striking at the immediate thing, the widening government, the growing labor unity; striking at new taxes, at plans; not knowing these things are results, not causes. Results, not causes; results, not causes.

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You're not buying only junk, you're buying junked lives. And more - you'll see - you're buying bitterness.

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The ants were busy on the ground, big black ones with shiny bodies and the little dusty quick ants. Kino watched with the detachment of God while a dusty ant frantically tried to escape the sand trap an ant lion had dug for him.He watched the ants moving, a little column of them near to his foot, and he put his foot in their path. Then the column climbed over his instep and continued on its way, and Kino left his foot there and watched them move over it.

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He had said, "i am a man," and that meant certain things to Juana. It meant that he was half insane and half god.

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If every single man and woman, child and baby, acts and conducts itself in a known pattern and breaks no walls and differs with no one and experiments in no way and is not sick and does not endanger the ease and peace of mind or steady unbroken flow of the town, then that unit can disappear and never be heard of.

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...first the strangers came with argument and authority and gunpowder to back up both. And in the four hundred years Kino's people had learned only one defense - a slight slitting of the eyes and a slight tightening of the lips and a retirement. Nothing could break down this wall, and they could remain whole within the wall.

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Then the sun came up and shook the night chill out of the air the way you'd shake a rug.

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