Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of a man. Nothing was ever created by two men. There are no good collaborations, weather in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man.And now, the forces marshaled around the concept of the group have declared a war of extermination on that preciousness, the mind of man. By disparagement, by starvation, by repressions, forced direction, and the stunning hammerblows of conditioning, the free, roving mind is being pursued, roped, blunted, drugged. It is a sad suicidal course our species seems to have taken.
The women watched the men, watched to see whether the break had come at last. The women stood silently and watched. And where a number of men gathered together, the fear went from their faces, and anger took its place. And the women sighed with relief, for they knew it was all right—the break had not come; and the break would never come as long as fear could turn to wrath.
In the books of some memories it was the best time that ever sloshed over the world - the old time, the gay time, sweet and simple, as though time were young and fearless. Old men who didn't know whether they were going to stagger over the boundary of the century looked forward to it with distaste. For the world was changing, and sweetness was gone, and virtue too.
Adam said, Just thinking. And he was thinking with amazement, Why, I’m not afraid of mybrother! I used to be scared to death of him, and I’m not any more. Wonder why not? Could it be thearmy? Or the chain gang? Could it be Father’s death? Maybe—but I don’t understand it. With the lackof fear, he knew he could say anything he wanted to, whereas before he had picked over his words toavoid trouble. It was a good feeling he had, almost as though he himself had been dead andresurrected.
Beside them, little pot-bellied men in light suits and panama hats; clean, pink men with puzzled, worried eyes, with restless eyes. Worried because formulas do not work out; hungry for security and yet sensing its disappearance from the earth. In their lapels the insignia of lodges and service clubs, places where they can go and, by a weight of numbers of little worried men, reassure themselves that business is noble and not the curious ritualized thievery they know it is; that business men are intelligent in spite of the records of their stupidity; that they are kind and charitable in spite of the principles of sound business; that their lives are rich instead of the thin tiresome routines they know; and that a time is coming when they will not be afraid any more.
Time interval is a strange and contradictory matter in the mind. It would be reasonable to suppose that a routine time or an eventless time would seem interminable. It should be so, but it is not. It is the dull eventless times that have no duration whatever. A time splashed with interest, wounded with tragedy, crevassed with joy—that’s the time that seems long in the memory. And this is right when you think about it. Eventlessness has no posts to drape duration on. From nothing to nothing is no time at all.
I’ve tried to figure it out. When we were children we lived in a story that we made up. But when I grew up the story wasn’t enough. I had to have something else, because the story wasn’t true anymore. Aron didn’t grow up. Maybe he never will. He wanted the story and he wanted it to come out his way. He couldn’t stand to have it come out any other way. I don’t want to know how it comes out. I only want to be there while it’s going on. We were kind of strangers. We kept it going because we were used to it. But I didn’t believe the story anymore. When you’re a child you’re the center of everything. Everything happens for you. Other people? They’re only ghosts furnished for you to talk to. But when you grow up you take your place and you’re your own size and shape. Things go out of you to others and come in from other people. It’s worse, but it’s much better too. He couldn’t stand to know about his mother because that’s not how he wanted the story to go—and he wouldn’t have any other story. So he tore up the world.
Ma raised her eyes to the girl’s face. Ma’s eyes were patient, but the lines of strain were on her forehead…. When you’re young, Rosasharn, ever’thing that happens is a thing all by itself. It’s a lonely thing. I know, I ‘member, Rosasharn. Her mouth loved the name of her daughter. You’re gonna have a baby, Rosasharn, and that’s somepin to you lonely and away. That’s gonna hurt you, an’the hurt’ll be lonely hurt, an’ this here tent is alone in the worl’, Rosasharn. She whipped the air for a moment to drive a buzzing blow fly on, and the big shining fly circled the tent twice and zoomed out into the blinding sunlight. And Ma went on, They’s a time of change, and when that comes, dyin’ is a piece of all dyin’, and bearin’ is a piece of all bearin’, an bearin’ an’ dyin’ is two pieces of the same thing. An’ then things ain’t lonely any more. An’ then a hurt don’t hurt so bad, ’cause it ain’t a lonely hurt no more, Rosasharn. I wisht I could tell you so you’d know, but I can’t. And her voice was so soft, so full of love, that tears crowded into Rose of Sharon’s eyes, and flowed over eyes and blinded her.
His name was Anderson and he had little gift for communication. Like most technicians, he had aterror and a contempt for speculation. The inductive leap was not for him. He dug a step and pulled himself up one single step, the way a man climbs the last shoulder of a mountain. He had great contempt, born of fear, for the Hamiltons, for they all half believed they had wings—and they got some bad falls that way.Anderson never fell, never slipped back, never flew. His steps moved slowly, slowly upward, and in the end, it is said, he found what he wanted—color film. He married Una, perhaps, because she had little humor, and this reassured him. Una wrote bleak letters without joy but also without self-pity. She was well and she hoped her family was well.
I'm wondering whether I can explain," said Lee. "Where there is no likeness of experience it's very difficult. I understand you were not born in America." "No, in Ireland." "And in a few years you can almost disappear; while I, who was born in Grass Valley, went to school and several years to the University of California, have no chance of mixing." "If you cut your queue, dressed and talked like other people?" "No. I tried it. To the so-called whites I was still a Chinese, but an untrustworthy one; and at the same time my Chinese friends steered clear of me. I had to give it up.
A harmonica is easy to carry. Take it out of your hip pocket, knock it against your palm to shake out the dirt and pocket fuzz and bits of tobacco. Now it’s ready. You can do anything with a harmonica: thin reedy single tone, or chords or melody with rhythm chords. You can mold the music with curved hands, making it wail and cry like bagpipes, making it full and rounds like an organ, making it as sharp and bitter as the reed pipes of the hills. And you can play it and put it back in your pocket. It is always with you, always in your pocket. And as you play, you learn new tricks, to pinch the tone with your lips, and no one teaches you. You feel around—sometimes in the tent door after supper when the women are washing up. Your foot taps gently on the ground. Your foot taps gently on the ground. Your eyebrows rise and fall in rhythm. And if you lose it or break it, why, it’s no great loss. You can buy another for a quarter.
Here is the node, you who hate change and fear revolution. Keep these two squatting men apart; make them hate, fear, suspect each other. Here is the anlage of the thing you fear. This is the zygote. For here 'I lost my land' is changed; a cell is split and from its splitting grows the thing you hate--'We lost *our* land.