I don't know how it will be in the years to come. There are monstrous changes taking place in the world, forces shaping a future whose face we do not know. Some of these forces seem evil to us, perhaps not in themselves but because their tendency is to eliminate other things we hold good…At such a time it seems natural and good to me to ask myself these questions. What do I believe in? What must I fight for and what must I fight against?
There is a crime here that goes beyond denunciation. There is a sorrow here that weeping cannot symbolize. There is a failure here that topples all our success. The fertile earth, the straight tree rows, the sturdy trunks, and the ripe fruit. And children dying of pellagra must die because a profit cannot be taken from an orange. And coroners must fill in the certificates—died of malnutrition—because the food must rot, must be forced to rot.
Its inhabitant are, as the man once said, "whores, pimps, gamblers and sons of bitches," by which he meant Everybody. Had the man looked through another peephole he might have said, "Saints and angels and martyrs and holy men," and he would have meant the same thing.Quoted by Richard Wagamese in Ragged Company
You know about the ugliness in people. You showed me the pictures. You use all the sad, weak parts of a man, and God knows he has them. But you don’t know about the rest. You don’t believe I brought you the letter because I don’t want your money. You don’t believe I loved you. And the men who come to you here with their ugliness, the men in the pictures—you don’t believe those men could have goodness and beauty in them. You see only one side, and you think—more than that, you’re sure—that’s all there is. There’s a part of you missing. Some men can’t see the color green, but they may never know they can’t. I think you are only a part of a human. I can’t do anything about that. But I wonder whether you ever feel that something invisible is all around you. It would be horrible if you knew it was there and couldn’t see it or feel it. "Did you ever hear of hallucinations? If there are things I can’t see, don’t you think it’s possible that they are dreams manufactured in your own sick mind?No, I don’t, said Adam. No, I don’t. And I don’t think you do either. He turned and went outand closed the door behind him.Kate sat down and stared at the closed door. She was not aware that her fists beat softly on the white oilcloth. But she did know that the square white door was distorted by tears and that her body shook with something that felt like rage and also felt like sorrow.
It has always seemed strange to me, said Doc. The things we admire in men, kindness and generosity, openness, honesty, understanding and feeling are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest are the traits of success. And while men admire the quality of the first they love the produce of the second.Who wants to be good if he has to be hungry too? said Richard Frost.Oh, it isn’t a matter of hunger. It’s something quite different. The sale of souls to gain the whole world is completely voluntary and almost unanimous—but not quite. Everywhere in the world there are Mack and the boys….
Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky tonks, restaurants and whore houses, and little crowded groceries, and laboratories and flophouses. Its inhabitant are, as the man once said, "whores, pimps, gambler and sons of bitches," by which he meant Everybody.
Old Tom giggled, "Fooled ya, huh, Ma? We aimed to fool ya, and we done it. Jus' stood there like a hammered sheep. Wisht Grampa'd been here to see. Looked like somebody'd beat ya between the eyes with a sledge. Grampa would a whacked 'imself so hard he'd a throwed his hip out–like he done when he seen Al take a shot at that grea' big airship the army got. Tommy, it come over one day, half a mile big, an' Al gets the thirty-thirty and blazes away at her. Grampa yells, 'Don't shoot no fledglin's, Al; wait till a growed-up one goes over,' an' then he whacked 'imself an' throwed his hip out.