Nothing changes instantaneously: in a gradually heating bathtub you'd be boiled to death before you knew it. There were stories in the newspapers, of course, corpses in ditches or the woods, bludgeoned to death or mutilated, interfered with as they used to say, but they were about other women, and then men who did such things were other men. None of them were the men we knew. The newspaper stories were like dreams to us, bad dreams dreamt by others. How awful, we would say, and they were, but they were awful without being believable. They were too melodramatic, they had a dimension that was not the dimension our lives. We were the people who were not in the papers. We lived in the black white spaces at the edges of print. It gave us more freedom. We lived in the gaps between the stories.
What we prayed for was emptiness, so we would be worthy to be filled: with grace, with love, with self-denial, semen and babies. Oh God, King of the universe, thank you for not creating me a man. Oh God, obliterate me. Make me fruitful. Mortify my flesh, that I may be multiplied. Let me be fulfilled... Some
The Commander puts his hand to his head. What have I been saying, and to whom, and which one of his enemies has found out? Possibly he will be a security risk, now. I am above him, looking down; he is shrinking. There have already been purges among them, there will be more. Serena Joy goes white. "Bitch," she says. "After all he did for you." Cora and Rita press through from the kitchen. Cora has begun to cry. I was her hope, I've failed her. Now she will always be childless. The van waits in the driveway, its double doors stand open. The two of them, one on either side now, take me by the elbows to help me in. Whether this is my end or a new beginning I have no way of knowing: I have given myself over into the hands of strangers, because it can't be helped. And so I step up, into the darkness within; or else the light.
The things I believe can't all be true, though one of them must be. I believe in all of them (...). This contradictory way of believing seems to me, right now, the only way I can believe anything. Whatever the truth is, I will be ready for it. This also is a belief of mine. This also may be untrue.
But if you happen to be a man, sometime in the future, and you've made it this far, please remember: you will never be subject to the temptation or feeling you must forgive, a man, as a woman. It's difficult to resist, believe me. But remember that forgiveness too is a power. To beg for it is a power, and to withhold or bestow it is a power, perhaps the greatest.
Dutzende von Haremsgemälden, dicke Frauen, die sich auf Diwanen räkeln, mit Turbanen auf dem Kopf oder Samtkappen; sie wurden mit Pfauenfedern gefächelt, während ein Eunuch im Hintergrund Wache stand. Studien sitzenden Fleisches, von Männern gemalt, die nie im Orient gewesen waren. Solche Bilder galten als erotisch, und ich dachte damals auch, daß sie es seien; doch jetzt verstehe ich, worum es auf diesen Bildern wirklich ging. Es waren Gemälde über das aufgeschobene Leben, über das Warten, über Gegenstände, die nicht in Gebrauch waren. Es waren Gemälde über die Langeweile.Aber vielleicht ist Langeweile erotisch - wenn Frauen sich langweilen - für Männer.