I marvel your ladyship takes delight in such a barren rascal. I saw him put down the other day with an 80 ordinary fool that has no more brain than a stone. Look you now, he’s out of his guard already; unless you laugh and minister occasion to him, he is gagged. I protest I take these wise men, that crow so at these set kind of fools, no better than the fools’ zanies.
The devil a puritan that he is, or anything, constantly, but a time-pleaser, an affectioned ass that cons state without book and utters it by great swathes; the best persuaded of himself, so crammed, as he thinks, with excellencies, that it is his grounds of faith that all that look on him love him – and on that vice in him will my revenge find notable cause to work.
The primary characteristics of the Shakespearean soul present themselves in Macbeth: the soul has free will, reason, conscience, and corporeality. The effect of these beliefs is holistic: they work together, whether a character be virtuous or sinful. More, no character stands alone morally, because Shakespeare assumes, theologically, that the bonds of family and society are sacred. With respect to the individual, however, there is one overarching principle at work. The fall of an individual’s soul—the loss of his freedom, the ruin of his reason, the confusion of his conscience, the seduction of his flesh by lies and imagination—is a negation of his soul.